以构建国际领先的系统定制家居品牌为理念
对“IDD世界领先设计对话”的支持
IDD世界领先设计对话，是广州设计周联合GIA广州设计周全球伙伴联盟中的中外设计领先机构、组织和媒体发起的一项对话世界设计领先者的国际设计交流计划，IDD世界领先设计对话以「MASTER MIND巨匠的思索」为思想探寻的的主旨方向，希冀通过与世界领先设计巨匠对话，探索世界领先设计思想，以世界领先推动中国领先，以中国领先影响世界设计。
IDD世界领先设计对话 · 宣传片
十几年来，广州设计周对于中国设计与世界领先设计思索的交流对话从未停止，IDD世界领先设计对话以对话巨匠、发掘新声、臻选杰作三大内容版块构建年度运营体系，由此推动世界领先设计与中国设计之间的对话交流和发展。
发掘新声，追求领先
Discovering New Sounds To Seek The Leading
IDD以世界领先设计眼光发掘和推广有观点、有思索的新锐设计人物。鉴于此，2022IDD发掘新声模块将甄选来自全世界超过10个国家、20余位的青年建筑师和设计师进行对话，向世界展示来自全球的领先设计新生力量的观点思考以及他们在设计上的思考与对"领先"的解读。
发掘新声 访谈人物 | VOL.14
金智虎 | Howard Jiho Kim
美国 | the USA
HOWARD JIHO KIM
TEMP工作室 创始人
TEMP建筑设计工作室由美籍韩裔建筑师金智虎（Howard Jiho Kim）于2017年创立。在跨文化的思辨视角中，它致力于探索欲求、功能、场所的协同与融合，并通过简明质朴的设计语言表达于不同领域的实践中。TEMP的设计作品覆盖区域规划、公共建筑、商业业态、住宅及艺术品等，并曾在国内外多家建筑及设计媒体上发表。2018年，TEMP成为“Position 有方”特别报道的年轻建筑事务所。2021年，入选《安邸AD》“AD100中国最具影响力的100位建筑和室内设计精英”榜单。TEMP的建筑实践代表包括X美术馆、百得利集团总部、云艺术中心，进行项目包括韩国三星美术馆配套、798颂艺术中心、西单遇见博物馆等。
TEMP创始人金智虎（Howard Jiho Kim）出生于美国洛杉矶，2007年于弗吉尼亚大学（University of Virginia）获得建筑学位。他曾带领清华大学建筑设计研究院工作室团队，也曾作为项目建筑师任职于MAD建筑事务所。除了在中国的设计实践之外，他还在韩国国立艺术大学中任教数载，并于韩国国立博物馆展出个人艺术作品，曾被《人民日报》、《韩国朝鲜日报》、《安邸AD》、《Icon》及《卷宗Wallpaper》等众多媒体广泛关注。
QUESTIONS ABOUT YOURSELF
个人问题
在您个人的日常中，
设计和生活是一种什么样的关系
What is the relationship between design and life in your daily routine (* How do you think about the ‘work-life-balance’)
空间影响着我们每一个人。无论我们处于工作、睡觉、玩乐或任何状态，你我生活的方方面面都被空间所制约着。我们的工作是为目的迥异的人们设计和建造空间。如果不了解我们作为人类的身份认同、不了解我们的生活方式，就不可能胜任这项工作。我们的生活方式决定着我们所建造的空间。我们设计的空间则塑造了我们的生活。
Space affects all of us. We are bound by space in every aspects of life whether we’re working, sleeping, playing, and etc. Our work is to design and build spaces for people with different purposes. It is impossible to do so without understanding who we are as human-beings and relating to the kind of life that we live. The way we live our lives become the spaces we build. The spaces we design become the lives that we live.
设计之外，
您还有哪些兴趣爱好
或比较喜欢做的事
Beside your design career, do you have any other interests or hobbies that you would like to do in your spare time
我有时喜欢去看艺术展。我个人认为艺术家是当今社会中最重要的角色之一。他们通过批判性的观看视角、探索抽象概念的全新表达之道，从而挑战既有现状。我们经常从与艺术作品或艺术家的接触中学习并汲取灵感。我们很幸运地有机会承接美术馆和艺术中心的项目。思考展品与展览所在空间的关系，这个过程一向有趣、令人着迷。
I enjoy going to see art exhibitions from time to time. I personally think artists play one of the most important roles in current contemporary society. They provoke the status quo through critical perspectives of seeing and exploring new ways of expressing abstract concepts. We often learn and draw inspirations from encounters with artworks or artists. We were fortunate to have the opportunities to work on museums and art centers. It is always an intriguing process to think of the relationship between artworks often objects and their exhibitions in space.
QUESTIONS ABOUT WORK AND PROJECT
关于工作和项目
请问是怎样的契机让您来到中国，定居这里并开始创业？
Does any triggers that bring you to China, move your base and start your business here
其实并没有一个具体的原因或预定计划。在人生的不同阶段，我会做出相较之下看起来更好的选择，它们不一定是我的最初计划或预想中的最佳选项。我之前从没想过会在中国成立我的工作室。我没有在这里生长或求学的经历。我只是以我认为最合理的方式去生活。事情一件接着一件，我才意识到我已经成立了一间设计工作室，并且基本定居在北京了。
There were never a specific trigger or pre-planned move. I made decisions that appeared to be the better choice throughout different steps of my life. They weren’t necessarily the best choices that I had originally planned or imagined. I never thought of starting my office in China. I didn’t grow up or go to school here. I just lived life in the way it made the most sense to me. One thing led to the other and I came to realization that I had set up a design studio and basically settled in Beijing.
本土文化经常被视为设计的核心，融入到设计元素中造就了不同的习惯和风情。您认为东西方设计最大的相似和不同之处是什么
Local culture often being considering as design core, merging into the elements, that’s explain objects’ stylish and unique. What do you think are the biggest similarities and differences between Eastern and Western designs
我在美国的一个韩裔家庭中长大。现在我已经在中国生活和工作了十几年。也许是因为我的成长经历，东方和西方并没有那么分明的非黑即白。这些文化在我脑中，如同灰度的层层渐变。对我来说，经常被提及的“本土化”或“国际化”概念并不那么重要。我们每天通过庞大的网络来消费和内化信息。我们会立即受到我们所看到、收发到的一切信息所影响。或许最本土的就是最国际化的。
I grew up in the US to a Korean family. Now I have lived and worked in China over ten years. Perhaps due to my upbringing, the East and the West are not so clearly divided as black and white. These cultures exist in my mind as gradients of different shades of grey. For me, the often-used concepts of being “local” or “international” is not that critical. We consume and internalize information everyday through the massive network. We are instantly influenced by everything that we see, receive, and send. Perhaps the most local is the most international.
你在中国做过的所有项目中
最让你印象深刻的是什么
有没有什么鼓舞人心的故事？
What is your most impressive one among all the projects you have made in China(built or unbuild)(* any inspiring/striking story)
X美术馆可能是最令我难忘的项目。不仅因为它是我们第一个美术馆项目，也因为它是在2020年初新冠疫情最严重的时候设计和建造的。那年春节过后，我们团队有一半的人没能赶回北京。由于现场所在地管控政策的变化，建造过程遭遇多次停工。我们几乎每隔一天就去现场一次，因为当时没什么别的事情能推进。整个城市都令人感觉很奇怪，因为它不像过去那样运作了。
X Museum is probably the most memorable project. Not only because it was our first museum project, but it was also designed and built during the most serious COVID times of early 2020. Half of our team couldn’t make it back to Beijing following the spring festival that year. Construction stopped many times due to changing local restrictions. We went to the site almost every other day because there weren’t much else to do. The entire city felt strange as it was not operating in the way it used to.
您的设计理念和追求是什么您希望通过设计给大众传递一种怎样的生活理念或精神追求？
What ‘s your belief and basis in design What kind of living belief and basis you intend to tell people via design
我对设计的基本理念之一就是坚持不懈。每一个项目从最初到最后，都需要克服一系列的问题，这些问题会把你逼到临近言弃的边缘。你会不断地面对被拒绝和超出你控制范围的情况。我相信我们的工作是有意义的，因为表象背后存有我们在困境中努力的印记。我希望它们能提醒我们，生活中的美在于保持耐心与坚韧。
One of my basic belief in design is persistence. Every project from the first day to the end, they are essentially series of countless problems to overcome. They will push you and test you to the very edge of wanting to give up. You will constantly face rejections and situations that are outside of your boundaries of control. I believe our work is meaningful because behind the outer surface there are these traces of struggle present. I hope that it will remind us to see that having beauty in life is about having patience and tenacity.
QUESTION ABOUT CURRENT ISSUES
关于时事
疫情使生活发生很大的变化，在您的生活中是否也出现了很多变化和挑战？您是如何应对这些的呢？
Over the course of 2020 to 2022, we have seen examples of human life shifting gears, enormous differences and challenges come without notice, can you tell us what kind of challenges/problems you ever met and how do you coped with it
在新冠疫情爆发前，我们大多数人都努力通过增加互通来实现增长。增长自然意味着提升密集度、拉近距离以及模糊边界。现在，我们应该考虑放缓增长速度，以培养抵御及自愈的能力，去找到适当的平衡与距离。这着实是一项挑战，因为我们参与的许多项目进展相比之前更不稳定。但幸运的是，它对我们的影响相对较小，因为我们是个小型团队。保持小规模的团队可以让我们更快地适应这些意想不到的快速变化。
During pre-covid times, most of us put effort to grow by increasing exchange. Growth naturally meant increasing densities, reducing distances, and blurring boundaries. Now we are in times to consider slowing growth to build resilience and to find appropriate balances and distances. It is challenging as a lot of the projects we work on are also less stable than before. However fortunately, it affects us less comparably as we are a small team. Keeping the team small allows us to adapt quicker to the fast changes in these unexpected times.
QUESTIONS ABOUT IDD
关于IDD
谈谈您对“领先” 的理解
How do you define the word 'leading' in the design context
对我来说，设计中的领先是一种责任感。设计和建筑总是伴随着很大的风险与责任。这个行业经常出现信任缺失。所以我们划定了界限，让我们得以提前准备好规避风险甚至问责他人。我相信领先的真正意义在于接受和建立信任。它意味着承担风险、逆水行舟以及挑战既有现状。这是一种愿意承担更多责任的领先意识。
For me, leading in design context is about having a sense of responsibility. Design and construction always come with much risks and liabilities. There is often lack of trust in the industry. So we draw lines of division, which prepares for us to avoid responsibilities in advance and perhaps even to blame others. I believe the true meaning of leading is to embrace and to build trust. It means to take risks to go against the stream and to challenge the status quo. It is about having a certain sense of leadership willing to take upon more responsibility.
QUESTIONS ABOUT FUTURE
关于未来
未来有哪些
希望继续探索和尝试的
领域或议题？
What kind of topics or fields that you plan and wish to explore in the future好奇心是我们前行的驱动力。新的挑战让我兴奋。我想探索我们以前从没有涉及过的新领域。我们在北京、上海、杭州等大城市进行了由小及大的不同改造项目。如能去探索乡野中的景观，或是探索体量完全不同的家具甚至产品，一定是非常有意思的。
Curiosity is what drives us forward. New challenges excite me. I would love to explore new areas where we haven’t been before. We’ve done mostly small to large scale renovation projects in metropolitan cities as Beijing, Shanghai, and Hangzhou. It would be interesting to explore landscapes in rural settings or even completely different scales of furniture or even products.
您有哪些想要给予中国年轻设计师的建议？
Any suggestions for the younger generation in the design industry我仍然认为自己还是一位年轻的建筑师，每天都在学习和成长。我可能没有资格给出建议。如果把上面的回答结合起来，或许会变成一份建议清单：先了解人再了解空间；从自己的角度看待文化；坚持不懈；建立应对意外变化的能力；保有责任感；保持好奇心来推动你探索未知的领域。
I still consider myself a young architect that is learning and growing everyday. I may not be in the position to give such advice. Combining the answers above could perhaps be a list. Understanding people before understanding space, seeing culture from your own perspectives, having persistence, building resilience against unexpected changes, having a sense of responsibility, and having curiosity to fuel you to explore unknown territories.
广州设计周组委会
GZDW Committee
Contact：陈女士 Orrero Chan
Mobile：+86-136 5009 3587
website：www.gzdesignweek.com
Email：idd@gzdesignweek.com
· END ·
点击【阅读原文】进入2022中国设计100榜参评通道
