楼梯品牌WHOU | LJID首发×谢天作品 · 鑫鼎楼梯新展厅绽放杭州！

当厂房被平庸所定义，那么时空留下的是尺度空旷、粗砼和充满生产力的回响。

When a factory is defined by mediocrity, what time and space leave behind are echoes of vast scale, ruggedness, and full productivity.

鑫鼎楼梯展厅设计是谢天面对的不是常规室内设计的“填充”游戏，而是一场关于“置入”与“对话”的精确手术。原有桁架、混凝土柱基、彩钢瓦的外墙和屋顶不是需要掩盖的瑕疵，而是必须尊重的框架底稿。在较大体积与有限预算的双重约束下，设计策略必须锋利，将一切非必要装饰元素剥离，让楼梯从垂直交通构件升维为空间灵魂。五座形态多样、材质多元梯体，既是功能主轴，也是美学宣言，更是连接地面烟火与高处静谧的精神纽带。

The Xinding Staircase showroom design is not a conventional interior design game of “filling in,” but a precise surgical procedure of “insertion” and “dialogue.” The existing trusses, concrete column bases, and corrugated steel exterior walls and roofs are not flaws to be concealed, but a framework manuscript that must be respected.Under the dual constraints of large volume and limited budget, the design strategy must be incisive — stripping away all non-essential decorative elements and elevating the staircase from a vertical circulation component into the soul of the space. 

01

SPATIAL STRATEGY

平面博弈：减法中的空间最大化

Planar Strategy: Maximizing Space through Subtraction

原厂房的纵深是赠予也是挑战。平面布局遵循“空则满”的东方智慧，不是用隔墙填满面积，而是用留白释放体感。

The depth of the original factory is both a gift and a challenge. The planar layout follows the Eastern wisdom of “emptiness yields fullness” — not filling the area with partition walls, but releasing spatial sensation through deliberate void.

设计师将功能模块分布于整个空间，东南入口强调“序”的开启，刻意构造出一个灰空间，以水和町步为媒，叙述楼梯这一独特语言，由外而内的节节攀升节节高楼梯元素，即有前台接待功能，又名兼具主题的仪式感。

The designer distributes functional modules throughout the space. The southeast entrance emphasizes the opening of “order,” deliberately constructing a gray transitional space. Using water and stepping stones as medium, it narrates the unique language of the staircase — the ascending staircase elements progressing from outside to inside serve both as a reception function and a ceremonial expression of the theme.

楼梯被有意设置在不同位置，不阻视线通衢，却成为视觉焦点的立体图腾。这种非对称平衡，既创造了回游动线的趣味，从入口进入，视线先被远端的楼梯捕获，步行过程中，两侧功能场景次第展开——更以最小建造干预换得最大空间层次。

The staircases are intentionally positioned at different locations — not obstructing sightlines, yet becoming three-dimensional totems as visual focal points. This asymmetrical balance creates the delight of a meandering circulation path: upon entering, the eye is first captured by the distant staircase, and as one walks, functional scenes on both sides unfold progressively — achieving maximum spatial layering with minimal construction intervention.

从门厅进入展厅的“承”，即是视觉焦点，又给予豁然开朗一线天“一字梯”，形成长达十三米的楼梯与左右通廊，地面采用仿水泥瓷砖，既呼应工业记忆，又降低维护成本。

The “continuation” from the foyer into the showroom serves as both a visual focal point and a sudden revelation — a “single-flight staircase” like a sliver of sky, forming a thirteen-meter-long staircase with corridors on both sides. The floor uses cement-look ceramic tiles, echoing industrial memory while reducing maintenance costs.

自然光从南侧穿过，一字梯由人造天窗灯膜倾泻，设计师仅在仿佛天窗下部加装半透明白色张拉膜，将直射光柔化为均匀天光，避免眩光，同时让楼梯的白色体量在漫射光下呈现出细腻的素描层次。

Natural light streams through from the south side, while the single-flight staircase is illuminated by an artificial skylight light membrane above. The designer merely installs a semi-transparent white tensile membrane beneath the faux skylight to soften direct light into even daylight, avoiding glare while allowing the white volume of the staircase to reveal delicate chiaroscuro gradations under diffused light.

每一步楼梯都被赋予“被看见”的价值，而非“被填满”的窘迫。每一件展品都与楼梯的几何语言形成或呼应或对抗的张力，有时是曲线陶器静置于圆台面，有时是大幅水墨垂落于白色墙面，艺术不再是点缀，而是与建筑空间共同叙述。

Every step of the staircase is endowed with the value of “being seen,” rather than the predicament of “being filled.”Each exhibit forms a tension with the geometric language of the staircase — sometimes echoing, sometimes contrasting. At times, a curvaceous ceramic vessel rests quietly on a round platform; at other times, a large-scale ink painting cascades down a white wall. Art is no longer an embellishment, but co-narrates with the architectural space.

设计师更策划“阶梯艺廊”计划，在一字梯下，以早期“竹梯”为媒介，创作围绕“守旧”与“上升”主题作品，作品直接与楼梯互动，在玻璃台阶下绘制黑白水墨画卷，仿佛在不同踏步上粘贴临时诗句。

The designer further curates a “Staircase Gallery” initiative: beneath the single-flight staircase, using an early “bamboo ladder” as medium, creating works centered on the themes of “preserving tradition” and “ascension.” The works interact directly with the staircase — ink wash scrolls painted beneath glass steps, as if temporary verses are pasted onto different treads.

02

LIGHT NARRATIVE

光之叙事：白昼与暗夜的氛围切换

Light Narrative: Ambience Shift between Day and Night

线性LED灯带沿楼梯踏步侧边与扶手凹槽布置，色温可调，楼梯阅心处，各有一盏悬垂的吊灯成为视觉焦点。

Linear LED light strips are arranged along the side edges of staircase treads and within handrail recesses, with adjustable color temperature. At the heart of the staircase, a suspended pendant light at each location becomes a visual focal point.

其有机形态与楼梯的几何刚直形成戏剧性对照，光晕洒在踏面上，每个台阶都像漂浮的光片。这种昼夜交替的光环境，使单一空间拥有了多重表情。

Its organic form creates a dramatic contrast with the rigid geometry of the staircase. The halo of light spills across the treads, making each step appear like a floating luminous slice. This alternating day-night light environment endows a single space with multiple expressions.

午后阳光从南侧高窗斜射，在阶梯侧面刻下锯齿般的光影韵律，空间在白色中获得饱满的进深感。这种饱满不是物的堆满，而是气息的充盈，尺度在此被感知，被阅读，被身体经验。设计师甚至刻意创作了即是黑白水墨，又略有浅灰与暖红对话，让空间拥有时间的厚度。

Afternoon sunlight slants through high south-facing windows, carving a serrated rhythm of light and shadow along the staircase’s flank. Within whiteness, the space acquires a rich sense of depth.This richness is not a piling up of objects, but a fullness of atmosphere — scale is perceived here, read here, experienced bodily. The designer even deliberately created works that are at once black-and-white ink wash, yet with subtle dialogues between light gray and warm red, imbuing the space with the thickness of time.

03

STAIR AS PRODUCT

楼梯作为产品：结构美学与成本克制

Stair as Product: Structural Aesthetics and Cost Restraint

五座楼梯绝非装饰性堆砌，而是精密计算和多元化组合的结构产品。采用钢板折弯与玻璃、实木、皮革、石材等综合工艺，有些内侧为皮，外侧为钢板，既保证结构强度，又降低自重，减少对原厂房楼板的荷载。

Employing integrated craftsmanship of bent steel plates with glass, solid wood, leather, and stone — some with leather on the inner side and steel plate on the outer — this ensures structural strength while reducing self-weight and minimizing the load on the original factory floor slab.The five staircases are by no means decorative accumulations, but structural products of precise calculation and diversified composition.

踏面悬挑而出，无梁无柱，轻盈如折纸悬浮于空。从一楼到二层，N级踏步每级都经过人体工学推敲，踏高踏宽比精确至善，上下从容，让楼梯本体纯粹的几何轮廓得以凸显。

The treads cantilever outward, beamless and columnless, as light as folded paper suspended in air. From the first floor to the second, each of the N steps has undergone ergonomic refinement, with riser-to-tread ratios calibrated to perfection, enabling effortless ascent and descent, allowing the pure geometric silhouette of the staircase itself to stand out.

全部构件工厂预制，现场装配，工期压缩至四十天，减少人工与脚手架成本。在造价控制的原则上，获得了雕塑般的品质感，这是产品设计与空间塑造的真正价值。用构造逻辑替代材料堆砌，让受力之美成为装饰本身。

All components are factory-prefabricated and assembled on site, compressing the construction period to forty days while reducing labor and scaffolding costs. Within the principle of cost control, a sculptural sense of quality is achieved — this is the true value of product design and spatial shaping. Structural logic replaces material accumulation, allowing the beauty of load-bearing to become ornament itself.

04

VOLUME INTERLACE

尺度穿插：白色体积的饱满叙事

Volume Interlace: The Rich Narrative of White Mass

洁白，不是廉价的白墙涂刷，而是对光线与体积的虔诚礼赞。所有墙体均覆以GRG（玻璃纤维增强石膏）定制面板，表面经纳米自洁涂层处理，哑光质感柔化空间的工业生硬，同时具备吸音功能，改善大空间的混响问题。

Whiteness here is not cheap white wall paint, but a reverent homage to light and volume. All walls are clad in custom GRG (Glass Reinforced Gypsum) panels, surface-treated with a nano self-cleaning coating. The matte texture softens the industrial harshness of the space while providing acoustic absorption to improve reverberation issues in the large volume.

大面积立面石膏板之间预留6mm精细凹缝，以线性节奏勾勒体积边界，避免单调。楼梯体块在二层处扭转，四步楼梯各不相同，与下方矩形基座形成微妙的错位穿插，打破白色体量的单调，产生光影缝隙。

Between the large-area gypsum board facades, 6mm fine recessed joints are reserved, delineating volumetric boundaries with a linear rhythm to avoid monotony. The staircase massing twists at the second floor, with four stair flight segments each different from the next, forming subtle staggered intersections with the rectangular base below, breaking the monotony of the white volume and generating gaps of light and shadow.

二层只覆盖楼梯所在的后部区域，面积控制在总占地四分之一内，既满足参观动线需求，又保持主空间高挑的气韵流通，和厅廊相连的展厅氛围。

The second floor only covers the rear area where the staircase is located, with its area controlled within one-quarter of the total footprint — satisfying circulation requirements while maintaining the lofty spatial flow of the main volume and the gallery-like atmosphere connected to the halls.

05

ART INFUSION

艺术注入：生活的美学转译

Art Infusion: The Aesthetic Translation of Life

白色空间的克制，恰为艺术预留了呼吸的孔隙。楼梯转角平台被设计为微型展陈节点，预埋了可调角度射灯与悬挂系统，不定期更换当代陶艺、纸本作品或小型雕塑。

The restraint of the white space precisely reserves breathing pores for art. The staircase landing platforms are designed as micro-exhibition nodes, pre-embedded with adjustable-angle spotlights and hanging systems, periodically rotating contemporary ceramics, paper-based works, or small sculptures.

这些轻盈的介入，让展厅从生活容器转变为生活美学的发生器。最终，展厅不仅是展厅，楼梯不仅是楼梯，它们是生活美学的物质载体，在每一级抬升中，完成从工业实用到精神栖居的诗意蜕变。

These light interventions transform the showroom from a vessel of living into a generator of life aesthetics. Ultimately, the showroom is not merely a showroom, and the staircase is not merely a staircase — they are the material carriers of life aesthetics, completing, with each step of ascent, a poetic metamorphosis from industrial utility to spiritual dwelling.

文章来自平台：LJ看设计

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